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A coming of age story centering on the exploits of a young girl during summer vacation.


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Summer 1939 in the Provence, France: the 14 years old Julien has a crush on his cousin Julia, who lives together with his family in their small hotel. Unfortunately she ignores him, because she's several years older. Then the hotel guest Charles enters the competition, a slimy twenty-something who lusts for the girl, despite the fact that he's engaged. 

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Remy is morose, nearing 30 with his career as a musician going nowhere and his eight-year marriage to Martine souring. Then, Martine dies in a car crash, and Marion, her 14-year-old, wants to stay rather than move to her father's. Remy likes the idea: he loves her, he's raised her, and she offers him emotional responsibility. Marion's father objects, but she's willful, so he relents. Soon, she tells Remy she finds him attractive, that she's now "a woman," and why can't they be lovers. Remy is appalled, but weakens, missing her when she spends Christmas with her dad. What if they do become lovers? What next? And what if a women more his age enters the picture?

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With the help of allies Lt. Jim Gordon (Gary Oldman) and DA Harvey Dent (Aaron Eckhart), Batman (Christian Bale) has been able to keep a tight lid on crime in Gotham City. But when a vile young criminal calling himself the Joker (Heath Ledger) suddenly throws the town into chaos, the caped Crusader begins to tread a fine line between heroism and vigilantism.
Initial releaseJuly 14, 2008 (Buenos Aires)
Box office1.005 billion USD
Budget180 million USD




The compelling sequel to "The Godfather," contrasting the life of Corleone father and son. Traces the problems of Michael Corleone (Al Pacino) in 1958 and that of a young immigrant Vito Corleone (Robert De Niro) in 1917's Hell's Kitchen. Michael survives many misfortunes and Vito is introduced to a life of crime.
Initial releaseDecember 12, 1974 (New York City)




Widely regarded as one of the greatest films of all time, this mob drama, based on Mario Puzo's novel of the same name, focuses on the powerful Italian-American crime family of Don Vito Corleone (Marlon Brando). When the don's youngest son, Michael (Al Pacino), reluctantly joins the Mafia, he becomes involved in the inevitable cycle of violence and betrayal. Although Michael tries to maintain a normal relationship with his wife, Kay (Diane Keaton), he is drawn deeper into the family business.
Initial releaseMarch 15, 1972 (New York City)



Andy Dufresne (Tim Robbins) is sentenced to two consecutive life terms in prison for the murders of his wife and her lover and is sentenced to a tough prison. However, only Andy knows he didn't commit the crimes. While there, he forms a friendship with Red (Morgan Freeman), experiences brutality of prison life, adapts, helps the warden, etc., all in 19 years.
Initial release: September 23, 1994 (USA)






Four erotic tales from in various historical eras. The first, 'The Tide', is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. 'Therese Philosophe' is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. 'Erzsebet Bathory' is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while 'Lucrezia Borgia' concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.

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The complexities of a modern family is portrayed effectively. The relationship between the members of the family is fleshed out effectively yet managing to touch-base on the taboo. The wedding forms the baseline of the story and the events built around it come about naturally (family dinner, shopping, wedding dress, night-out etc). And its precisely these factors which give aesthetic feel to it. On technical front the movie is rich in the camera-work and lighting. The usage of mirrors, shadows and following the character would seem Kubrick inspired.

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Soon after the death of their father (Hanns Zischler), teen siblings Julie (Charlotte Gainsbourg) and Jack (Andrew Robertson) lose their ailing mother (Sinead Cusack), who's dying wish is to see the family remain together. Needing a source of income to keep the household running, Julie and Jack hide their mother's corpse, live off of her savings and care for their younger siblings themselves. However, the relationship between Julie and Jake soon begins to take a dark, sexual turn.





After not having seen each other in five years, Chris Terry goes to visit his younger sister Noelle Terry in Montréal. Their lives, both together and apart, have been turbulent ones with something toxic having affected the way they interact with each other. Chris, who has just divorced his wife Denise, is a recovering alcoholic. Although he has never served time, he has committed crimes in his past. Noelle, a drug addict, turns tricks to make ends meet. She has just completed a stint in prison. Upon Chris' arrival, Noelle proposes to Chris that they enter into a three-way with a john who will pay $500 for the trick. Noelle had been trying to find another man to do the job, but was unable to find one on such short notice. Noelle implies that she needs the money to pay off a third party, and she figures Chris owes her. Despite not identifying himself as being gay or even bisexual despite having previously had a relationship with a man, Chris agrees. As Chris and Noelle's encounter ...




Daniel and Ana, brother and sister, best friends. Both are at pivotal, defining moments in their contented lives. Ana is about to be married, Daniel is a gregarious teenager discovering his personal and sexual identity. Yet their harmony is instantly shattered when they are kidnapped and something shocking happens which forces them to confront their desires and fears. Suddenly their old lives are a distant memory. Now, nothing they have known will ever be the same again.
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A controlling, manipulative father (Christos Stergioglou) locks his three adult offspring in a state of perpetual childhood by keeping them prisoner within the sprawling family compound. The children are bored to tears in spite of distractions like Christina (Anna Kalaitzidou), an employee of their father's who makes regular visits to sexually service the son (Hristos Passalis). Increasingly curious about the outside world, the older daughter (Aggeliki Papoulia) hatches a plan to escape.

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In May 1968, the student riots in Paris only exacerbate the isolation felt by three youths: an American exchange student named Matthew (Michael Pitt) and twins Théo (Louis Garrel) and Isabelle (Eva Green). Having bonded over their mutual love of cinema, Matthew is fascinated by the sense of intimacy shared by Isabelle and Theo, who were born conjoined. When the twins' bohemian parents go away for a month, they ask Matthew to stay at their place, and the three lose themselves in fantasy.

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Thomas (David Hemmings) is a London photographer who spends his time photographing fashion models. But one day he thinks he may have photographed something far more sinister: a murder. After taking pictures in the park, Thomas is horrified to find an ambiguous image lurking on the edge of the frame, which could be a shadow, but looks like a gun. The only thing clear is that the woman (Vanessa Redgrave) in the photo has appeared at his studio -- and wants the pictures he took.

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Wanted by the Chinese mafia, a young New York City bike messenger down on his luck, who just wants to do good, escapes into the world of parkour after meeting a beautiful stranger and her group of Parkour trainers that get him involved in a criminal delivery service for extra money. Written by punctuation

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Caleb, a 26 year old coder at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company. But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl.Written by DNA FILMS

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Frank Martin, played by newcomer Ed Skrein, a former special-ops mercenary, is now living a less perilous life - or so he thinks - transporting classified packages for questionable people. When Frank's father (Ray Stevenson) pays him a visit in the south of France, their father-son bonding weekend takes a turn for the worse when Frank is engaged by a cunning femme-fatale, Anna (Loan Chabanol), and her three seductive sidekicks to orchestrate the bank heist of the century. Frank must use his covert expertise and knowledge of fast cars, fast driving and fast women to outrun a sinister Russian kingpin, and worse than that, he is thrust into a dangerous game of chess with a team of gorgeous women out for revenge. From the producers of LUCY and the TAKEN trilogy, THE TRANSPORTER REFUELED is a fresh personification of the iconic role of Frank Martin, that launches the high-octane franchise into the present-day and introduces it to the next generation of thrill-seekers. Written by Europacorp

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HITMAN: AGENT 47 centers on an elite assassin who was genetically engineered from conception to be the perfect killing machine, and is known only by the last two digits on the barcode tattooed on the back of his neck. He is the culmination of decades of research and forty-six earlier Agent clones -- endowing him with unprecedented strength, speed, stamina and intelligence. His latest target is a mega-corporation that plans to unlock the secret of Agent 47's past to create an army of killers whose powers surpass even his own. Teaming up with a young woman who may hold the secret to overcoming their powerful and clandestine enemies, 47 confronts stunning revelations about his own origins and squares off in an epic battle with his deadliest foe. Written by 20th Century Fox

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One choice can transform you-or it can destroy you. But every choice has consequences, and as unrest surges in the factions all around her, Tris Prior must continue trying to save those she loves--and herself--while grappling with haunting questions of grief and forgiveness, identity and loyalty, politics and love. Tris's initiation day should have been marked by celebration and victory with her chosen faction; instead, the day ended with unspeakable horrors. War now looms as conflict between the factions and their ideologies grows. And in times of war, sides must be chosen, secrets will emerge, and choices will become even more irrevocable--and even more powerful. Transformed by her own decisions but also by haunting grief and guilt, radical new discoveries, and shifting relationships. Tris must fully embrace her Divergence, even if she does not know what she may lose by doing so.

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